Eduardo Reck Miranda, Marcelo Mortensen Wanderley. New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. 1 ed. Middleton, WI: A-R Editions, 2006. ISBN: 9780895795854.

Marcelo Mortensen Wanderley. Instrumentos Digitais Musicais. In: Beatriz Senoi Ilari (Org.). Em Busca da Mente Musical: Ensaios sobre os processos cognitivos em música - da percepção à produção. Curitiba: Editora da UFPR, 2006. p. 163-188. ISBN: 8573351403.

NUSSECK, MANFRED, Marcelo Mortensen Wanderley, Claudia Spahn. Body Movements in Music Performances: the Example of Clarinet Players. In: B. Mûller, S. Wolf (Org.). Body Movements in Music Performances: the Example of Clarinet Players. , 2017. ISBN: 9783319144191.

MALLOCH, JOSEPH, Marcelo Mortensen Wanderley. Embodied Cognition and Digital Musical Instruments: Design and performance. In: (Org.). Embodied Cognition and Digital Musical Instruments: Design and performance. , 2017. ISBN: 9781138657403.

Marcello Giordano, John Sullivan, Marcelo Mortensen Wanderley. Design of Vibrotactile Feedback and Stimulation for Music Performance. In: S. Papetti. C. Saitis (Org.). Design of Vibrotactile Feedback and Stimulation for Music Performance. Springer International Publishing, 2018. ISBN: 9783319583167.

MEDEIROS, CAROLINA BRUM. Multiple-Model Linear Kalman Filter Framework for Unpredictable Signals. IEEE Sensors Journal, v. 14, n. 4, 2014, p. 979-991. DOI: 10.1109/JSEN.2013.2291683.

MALLOCH, JOSEPH. Distributed tools for interactive design of heterogeneous signal networks. Multimedia Tools and Applications, v. 69, n. 1, 2014, p. 1-25. DOI: 10.1007/s11042-014-1878-5.

THIBODEAU, JOSEPH. Trumpet Augmentation and Technological Symbiosis. Computer Music Journal (Online), v. 37, n. 3, 2013, p. 12-25. DOI: 10.1162/COMJ_a_00185.

BOUËNARD, ALEXANDRE. Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal (Online), v. 35, n. 3, 2011, p. 57-72. DOI: 10.1162/COMJ_a_00069.

Marcelo Mortensen Wanderley. Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal (Online), v. 26, n. 3, 2002, p. 62-76. DOI: 10.1162/014892602320582981.

VINES, B. Cross-modal interactions in the perception of musical performance. Cognition (The Hague), v. 101, n. 1, 2006, p. 80-113. DOI: 10.1016/j.cognition.2005.09.003.

VINES, BRADLEY W.. Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition (The Hague), v. 118, n. 2, 2011, p. 157-170. DOI: 10.1016/j.cognition.2010.11.010.

SINCLAIR, STEPHEN. A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers, v. 21, n. 1-2, 2009, p. 54-63. DOI: 10.1016/j.intcom.2008.10.012.

NUSSECK, MANFRED. Music and Motion-How Music-Related Ancillary Body Movements Contribute to the Experience of Music. Music Perception, v. 26, n. 4, 2009, p. 335-353. DOI: 10.1525/mp.2009.26.4.335.

MAES, PIETER-JAN. Action-based effects on music perception. Frontiers in Psychology, v. 4, 2014, p. 1-14. DOI: 10.3389/fpsyg.2013.01008.

SEGER, RODRIGO A.. Automatic detection of musicians? ancillary gestures based on video analysis. Expert Systems with Applications, v. 41, 2013, p. 2098-2106. DOI: 10.1016/j.eswa.2013.09.009.

BOUËNARD, A.. Hybrid inverse motion control for virtual characters interacting with sound synthesis. The Visual Computer, v. 28, n. 4, 2012, p. 357-370. DOI: 10.1007/s00371-011-0620-9.

VERFAILLE, VINCENT. Detecting overblown flute fingerings from the residual noise spectrum. The Journal of the Acoustical Society of America, v. 127, n. 1, 2010, p. 534-541. DOI: 10.1121/1.3257205.

Marcelo Mortensen Wanderley. The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field. Journal of New Music Research, v. 34, n. 1, 2005, p. 97-113. DOI: 10.1080/09298210500124208.

HUNT, ANDY. The Importance of Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, v. 32, n. 4, 2003, p. 429-440. DOI: 10.1076/jnmr.32.4.429.18853.

VERFAILLE, VINCENT. Mapping strategies for gestural and adaptive control of digital audio effects. Journal of New Music Research, v. 35, n. 1, 2006, p. 71-93. DOI: 10.1080/09298210600696881.

MARSHALL, MARK T.. Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, v. 38, n. 3, 2009, p. 241-253. DOI: 10.1080/09298210903085865.

HUNT, ANDY. Mapping performer parameters to synthesis engines. Organised Sound (Print), v. 7, n. 02, 2002, p. 97-108. DOI: 10.1017/S1355771802002030.

WINTERS, R. MICHAEL. Sonification of Emotion: Strategies and results from the intersection with music. Organised Sound (Print), v. 19, n. 01, 2014, p. 60-69. DOI: 10.1017/S1355771813000411.

CARAMIAUX, BAPTISTE. Segmenting and Parsing Instrumentalists' Gestures. Journal of New Music Research, v. 41, n. 1, 2012, p. 13-29. DOI: 10.1080/09298215.2011.643314.

Avrum Hollinger. The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal, v. 15, n. 11, 2015, p. 6125-6134.

Alfonso Perez. Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE/ACM Transactions on Audio, Speech, and Language Processing, v. 23, n. 5, 2015, p. 932-940. DOI: 10.1109/TASLP.2015.2410140.

TEIXEIRA, EULER C.F.. Motion Analysis of Clarinet Performers. Journal of New Music Research, v. 44, n. 2, 2014, p. 1-15. DOI: 10.1080/09298215.2014.925939.

MAES, PIETER-JAN. The role of working memory in the temporal control of discrete and continuous movements. Experimental Brain Research, v. 233, n. 1, 2015, p. 263-273. DOI: 10.1007/s00221-014-4108-5.

LIVINGSTONE, STEVEN R.. Common cues to emotion in the dynamic facial expressions of speech and song. The Quarterly Journal of Experimental Psychology, v. 68, n. 5, 2015, p. 952-970. DOI: 10.1080/17470218.2014.971034.

SINCLAIR, STEPHEN. Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. IEEE Transactions on Haptics, v. 7, n. 4, 2014, p. 533-544. DOI: 10.1109/TOH.2014.2346505.

VAN NORT, DOUG. Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal (Online), v. 38, n. 3, 2014, p. 6-22. DOI: 10.1162/COMJ_a_00253.

KOEHLY, RODOLPHE. In-House Development of Paper Force Sensors for Musical Applications. Computer Music Journal (Online), v. 38, n. 2, 2014, p. 22-35. DOI: 10.1162/COMJ_a_00237.

CHADEFAUX, DELPHINE. Gestural Strategies in the Harp Performance. Acustica United with Acta Acustica, v. 99, n. 6, 2013, p. 986-996. DOI: 10.3813/AAA.918677.

MEDEIROS, CAROLINA. A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression. Sensors (Basel), v. 14, n. 8, 2014, p. 13556-13591. DOI: 10.3390/s140813556.

DEMOS, ALEXANDER P.. The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, v. 8, 2017, p. 1-. DOI: 10.3389/fpsyg.2017.00149.

CALEGARIO, FILIPE. A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE MULTIMEDIA, v. 24, n. 1, 2017, p. 63-71. DOI: 10.1109/mmul.2017.18.

MAESTRE, ESTEBAN. Enriched Multimodal Representations of Music Performances: Online Access and Visualization. IEEE MULTIMEDIA, v. 24, n. 1, 2017, p. 24-34. DOI: 10.1109/MMUL.2017.3.

SCHUMACHER, MARLON. Integrating Gesture Data in Computer-aided Composition: A Framework for Representation, Processing and Mapping. JOURNAL OF NEW MUSIC RESEARCH, v. 46, n. 1, 2017, p. 87-101. DOI: 10.1080/09298215.2016.1254662.

CARAMIAUX, BAPTISTE. Dissociable effects of practice variability on learning motor and timing skills. PLoS One, v. 13, n. 3, 2018, p. e0193580-. DOI: 10.1371/journal.pone.0193580.

MALLOCH, JOSEPH. Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE MULTIMEDIA, v. 25, n. 1, 2018, p. 39-50. DOI: 10.1109/MMUL.2018.112140028.

Marcelo Mortensen Wanderley. Gestural Control of Sound Synthesis. Proceedings of the IEEE, v. 92, n. 4, 2004, p. 632-644. DOI: 10.1109/JPROC.2004.825882.

MAMEDES, C. R.; WANDERLEY, MARCELO M.; MANZOLLI, J.; GARCIA, D. L.. Strategies for mapping control in interactive audiovisual installations. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

SEGER, RODRIGO A.; KOERICH, ALESSANDRO L.; WANDERLEY, MARCELO M.. Detecção de Movimentos Auxiliares de Clarinetistas Através de Visão Computacional. 14th Brazilian Symposium on Computer Music, 2013,

TEIXEIRA, E.; LOUREIRO, M. A.; YEHIA, H. C.; WANDERLEY, MARCELO M.. Motion Recurrence Analysis in Music Performances. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

SCHIAVONI, F. L.; QUEIROZ, M.; WANDERLEY, MARCELO M.. Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs. 2013 International Conference on Sound and Music Computing (SMC2013), 2013,

SCHIAVONI, F. L.; QUEIROZ, M.; WANDERLEY, MARCELO M.. Alternatives in network transport protocols for audio streaming applications. 2013 International Computer Music Conference (ICMC13), 2013,

MEDEIROS, CAROLINA BRUM; WANDERLEY, MARCELO M.. Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. 8th Sound and Music Computing Conference (SMC2011), 2011,

SOUZA, F. F.; WANDERLEY, MARCELO M.; MAIA JR, A.. An Input Device to Control Granular Sound Processes. 8o Congresso de Engenharia de Audio/14a Convenção Nacional AES Brasil, 2010,

SILVA, A. R.; WANDERLEY, MARCELO M.; SCAVONE, G.. On the Use of Flute Air Jet as a Musical Control Variable. 2005 International Conference on New Interfaces for Musical Expression (NIME2005), 2005,

MAMEDES, C. R.; RODRIGUES, M.; WANDERLEY, MARCELO M.; MANZOLLI, J.; GARCIA, D. L.; LOPES, P. F.. Composing for DMIs - Entoa, music for Intonaspacio. 2014 International Conference on New Interfaces for Musical Expression (NIME2014), 2014,

HOLLINGER, A.; WANDERLEY, MARCELO M.. MRI-Compatible Optically-Sensed Cello. IEEE Sensors Conference, 2013,

RODRIGUES, M.; WANDERLEY, MARCELO M.; LOPES, P. F.. Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

KUNTZEN, H.; KVIFTE, T.; WANDERLEY, MARCELO M.. Vibrotactile Augmentation of an Open-air Gestural Controller. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

BACON, B.; WANDERLEY, MARCELO M.. The Effects of Handedness in Percussion Performative Gesture. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

GHAMSARI, M.; PRAS, A.; WANDERLEY, MARCELO M.. Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

DALCA, I.; VINES, B; PIERCE, M. T.; WANDERLEY, MARCELO M.. Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

SCHUMACHER, M.; GIORDANO, M.; WANDERLEY, MARCELO M.. Vibrotactile Notifications for Live Electronics Performance: A Prototype System. 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013,

KELL, T.; WANDERLEY, MARCELO M.. A Quantitative Review of Mappings in Musical iOS Applications. 2013 International Conference on Sound and Music Computing (SMC2013), 2013,

GIORDANO, M.; WANDERLEY, MARCELO M.. Measuring the Haptic Behavior of an Acoustic Guitar as Perceived by the Player by Means of a Vibrating Actuator. 2013 International Congress on Acoustics (ICA2013), 2013,

WINTERS, R. M.; HATTWICK, I.; WANDERLEY, MARCELO M.. Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer.. 3rd International Conference on Music & Emotion (ICME2013), 2013,

WINTERS, R. M.; WANDERLEY, MARCELO M.. Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence. 3rd International Conference on Music & Emotion (ICME2013), 2013,

BURLET, G.; WANDERLEY, MARCELO M.; FUJINAGA, I.. Stompboxes: Kicking the Habit. 2013 International Conference on New Interfaces for Musical Expression (NIME2013), 2013,

GIORDANO, M.; WANDERLEY, MARCELO M.. Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. 2013 Haptics-Audio Interation Design Workshop (HAID2013), 2013,

PEREZ, A.; WANDERLEY, MARCELO M.. Learning and Extraction of Violin Instrumental Controls from Audio Signal. MIRUM Workshop, ACM Multimedia Conference, 2012,

WINTERS, R. MICHAEL; WANDERLEY, MARCELO M.. New Directions for the Sonification of Expressive Movement in Music Performance. 18th International Conference on Auditory Display, 2012,

GERMAIN, F.; ABLE, J.; DEPALLE, P.; WANDERLEY, MARCELO M.. Uniform Noise Sequences for Nonlinear System Identification. 15th International Conference of Digital Audio Effects (DAFx-12), 2012,

VIGLIENSONI, G.; WANDERLEY, MARCELO M.. A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. 2012 International Conference on New Interfaces for Musical Expression (NIME12), 2012,

HOLLINGER, A.; WANDERLEY, MARCELO M.. Optoelectronic Acquisition and Control Board for Musical Applications. 2012 International Conference on New Interfaces for Musical Expression (NIME12), 2012,

HATTWICK, I.; WANDERLEY, MARCELO M.. A Dimension Space for Evaluating Collaborative Musical Performance Systems. 2012 International Conference on New Interfaces for Musical Expression (NIME12), 2012,

TACHE, O.; FLORENS, J.; SINCLAIR, STEPHEN; WANDERLEY, MARCELO M.. Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models. 2012 International Conference on New Interfaces for Musical Expression (NIME12), 2012,

GIORDANO, M.; WANDERLEY, MARCELO M.. Bowing a Vibration-enhanced Force-feedback Device. 2012 International Conference on New Interfaces for Musical Expression (NIME12), 2012,

CHADEFAUX, D.; WANDERLEY, MARCELO M.; CARROU, J. L.; FABRE, B.; DAUDET, L.. Experimental study of the musician / instrument interaction in the case of the concert harp. Acoustics 2012, 2012,

GIORDANO, M.; WANDERLEY, MARCELO M.. A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation. 8th Sound and Music Computing Conference, 2011,

SINCLAIR, STEPHEN; WANDERLEY, MARCELO M.; HAYWARD, V.; SCAVONE, G.. Noise-free haptic interaction with a bowed-string acoustic model. IEEE World Haptics Conference, 2011,

MARSHALL, M. T.; WANDERLEY, MARCELO M.. Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument. 2011 International Conference on the Interfaces for Musical Expression (NIME11), 2011,

MALLOCH, JOSEPH; SINCLAIR, STEPHEN; WANDERLEY, MARCELO M.. Libmapper (A Library for Connecting Things). International Conference on Human Factors in Computing Systems (CHI 2013), 2013,

GROND, F.; HERMANN, T.; VERFAILLE, VINCENT; WANDERLEY, MARCELO M.. Methods for the Effective Sonification of of Clarinetists' Ancillary Gestures. Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, 2010,

GROND, F.; BOUËNARD, A.; HERMANN, T.; WANDERLEY, MARCELO M.. Virtual Auditory Myography of Timpani-playing Avatars. 2010 International Conference on Digital Audio Effects (DAFX), 2010,

BIANCO, T.; WANDERLEY, MARCELO M.; BEVILACQUA, FRÉDÉRIC. Mimicry of tone production: results from a pilot experiment. 7th of Sound and Music Computing Conference, 2010,

VIGLIENSONI, G.; WANDERLEY, MARCELO M.. Soundcatcher: Explorations in Audio-looping and Time-freezing using an Open-air Gestural Controller. 2010 International Computer Music Conference (ICMC), 2010,

HOLLINGER, A.; THIBODEAU, JOSEPH; WANDERLEY, MARCELO M.. An Embedded Hardware Platform for Fungible Interfaces. 2010 International Computer Music Conference (ICMC), 2010,

BAALMAN, M. A.; BELLEVAL, V.; MALLOCH, JOSEPH; THIBODEAU, JOSEPH; SALTER, C.; WANDERLEY, MARCELO M.. Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments. 2010 International Computer Music Conference (ICMC), 2010,

SINCLAIR, STEPHEN; FLORENS, J.; WANDERLEY, MARCELO M.. A Haptic Simulator for Gestural Interaction with the Bowed String. Congrès Français d'Acoustique, 2010,

GIORDANO, B.; AVANZINI, F.; WANDERLEY, MARCELO M.; MCADAMS, S.. Multisensory Integration in Percussion Performance. Congrès Français d'Acoustique, 2010,

HATTWICK, I.; MALLOCH, JOSEPH; WANDERLEY, MARCELO M.. Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. 2014 International Conference on New Interfaces for Musical Expression (NIME2014), 2014,

MARSHALL, M. T.; MALLOCH, JOSEPH; WANDERLEY, MARCELO M. Gestural Control of Sound Spatialization for Live Musical Performance. th International Gesture Workshop, GW 2007, 2009,

RASAMIMANANA, N. H.; BERNARDIN, D.; WANDERLEY, MARCELO M.; BEVILACQUA, FRÉDÉRIC. String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. 7th International Gesture Workshop, GW 2007, 2009,

PALMER, CAROLINE; KOOPMANS, E.; CARTER, C.; LOEHR, J. D.; WANDERLEY, MARCELO M.. Synchronization of Motion and Timing in Clarinet Performance. International Symposium on Performance Science, 2009,

FERGUSON, S.; WANDERLEY, MARCELO M.. The McGill Digital Orchestra: Interdisciplinarity in Digital musical Instrument Design'.. International Conference on Interdisciplinary Musicology (CIM), 2009,

BOUËNARD, A.; WANDERLEY, MARCELO M.; GIBET, S.. Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. International Computer Music Conference (ICMC), 2009,

MAZZARINO, B.; PEINADO, M.; BOULIC, R.; VOLPE, G.; WANDERLEY, MARCELO M.. Improving the Believability of Virtual Characters using Qualitative Gesture Analysis. 7th International Gesture Workshop, GW 2007, 2009,