Perfil do Pesquisador

Nome Completo

Luiz Fernando Kruszielski

IDLattes

5286943004447118

ORCID

Não informado

Nacionalidade

Brasil

Nascimento

— Brasil

Última Atualização

XML disponível 2024-03-19

Áreas de Conhecimento

Linguistica letras e artes

Lattes ID

https://lattes.cnpq.br/5286943004447118

Média de coautoria

3 autores por trabalho
24 autores em 8 trabalhos

Total de trabalhos (científicos)

Instituição de Vínculo

Nome

Cidade

UF

País

Código Institucional

GRADUACAO — Música

Universidade Federal do Paraná

2002 — 2006

Status

CONCLUIDO

Bolsa

NAO

Orientador

Paulo Henrique Trombetta Zannin

MESTRADO — Música

Tokyo University of Fine Arts

2009 — 2011

Status

CONCLUIDO

Bolsa

NAO

Orientador

—

DOUTORADO — Musica

Tokyo University of Fine Arts

2011 — 2014

Status

CONCLUIDO

Bolsa

NAO

Orientador

—

Produção Científica – Formato ABNT

Livros

0

Capítulos

0

Artigos

2

Eventos

6

Partituras

0

Total Geral

8

Livros publicados ou organizados (0 itens)

Nenhum livro cadastrado.

Capítulos de livros publicados (0 itens)

Artigos publicados (2 itens)

Luiz Fernando Kruszielski. The Use of Artificial Intelligence Enabling Scalable Audio Description on Brazilian Television: A Workflow Proposal. SET INTERNATIONAL JOURNAL OF BROADCAST ENGINEERING, v. 2023, n. 1, 2023, p. 39-44. DOI: 10.18580/setijbe.2023.3.

Luiz Fernando Kruszielski. Avaliação acústica da sala de gravação do estúdio de áudio do Departamento de Artes da Universidade Federal do Paraná. ACÚSTICA E VIBRAÇÕES, v. 23, n. 39, 2008, p. 12-22.

Partituras publicadas (0 itens)

Trabalhos em Eventos (6 itens)

HOYLE, EDMUNDO; ANTELO, ÁLVARO; KRUSZIELSKI, LUIZ F.; BISCAINHO, LUIZ W. P.. Neutral TTS Female Voice Corpus in Brazilian Portuguese. XLI Simpósio Brasileiro de Telecomunicações e Processamento de Sinais, 2023, DOI: 10.14209/sbrt.2023.1570917697.

KRUSZIELSKI, L. F.; MEIRELLES, R.. A Broadcast Film Leader with Audio Channel, Frequency, and Synchronism Test Properties. AES 141st Convention, 2016,

KRUSZIELSKI, LUIZ F.; KAMEKAWA, T.; MARUI, A.. Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3-D or 2-D Image. AES 133st Convention, 2012,

KRUSZIELSKI, L. F.; MEIRELLES, R.. Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video. AES 135st Convention, 2013,

KRUSZIELSKI, LUIZ F.; KAMEKAWA, T.; MARUI, A.. interactions between audio and 3d stereoscopic image in the perception of distance and suitable recording distance. Congresso de Engenharia de Áudio, 10., 2012,

KRUSZIELSKI, LUIZ F.; KAMEKAWA, T.; MARUI, A.. The Influence of Camera Focal Length in the Direct-To-Reverb Ratio Suitability and Its Effect in the Perception of Distance for a Motion Picture. AES 131st Convention, 2011,

Áreas de conhecimento

Painel de Produção Artística – Artes Visuais

Distribuição por Natureza (Barras)

Distribuição Geral (Pizza)

Fluxo da Produção Artística / Cultural

Estrutura Completa do XML

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<DADOS-GERAIS NOME-COMPLETO="Luiz Fernando Kruszielski" NOME-EM-CITACOES-BIBLIOGRAFICAS="KRUSZIELSKI, L. F.;KRUSZIELSKI, LUIZ F.;F. KRUSZIELSKi, LUIZ" NACIONALIDADE="B" PAIS-DE-NASCIMENTO="Brasil" UF-NASCIMENTO="" CIDADE-NASCIMENTO="" PERMISSAO-DE-DIVULGACAO="NAO" DATA-FALECIMENTO="" SIGLA-PAIS-NACIONALIDADE="BRA" PAIS-DE-NACIONALIDADE="Brasil" ORCID-ID="">

<RESUMO-CV TEXTO-RESUMO-CV-RH="Possui graduação em Música pela Universidade Federal do Paraná (2006), mestrado em Música - Tokyo University of Fine Arts (2011) e doutorado em Musica - Tokyo University of Fine Arts (2014). Atualmente é Especialista em pesquisa na área de inovação Rede Globo - Matriz. Tem experiência na área de Artes, com ênfase em Artes do Vídeo, atuando principalmente nos seguintes temas: text-to-speech, brazilian portuguese e dataset speech." TEXTO-RESUMO-CV-RH-EN="graduation at Música from Universidade Federal do Paraná (2006), master's at Música from Tokyo University of Fine Arts (2011) and doctorate at Musica from Tokyo University of Fine Arts (2014). Has experience in Arts, focusing on Arts of Vídeo, acting on the following subjects: text-to-speech, brazilian portuguese and dataset speech."></RESUMO-CV>

<FORMACAO-ACADEMICA-TITULACAO>

</FORMACAO-ACADEMICA-TITULACAO>

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<TRABALHOS-EM-EVENTOS>

<TRABALHO-EM-EVENTOS SEQUENCIA-PRODUCAO="1">

<DADOS-BASICOS-DO-TRABALHO NATUREZA="COMPLETO" TITULO-DO-TRABALHO="Neutral TTS Female Voice Corpus in Brazilian Portuguese" ANO-DO-TRABALHO="2023" PAIS-DO-EVENTO="Brasil" IDIOMA="Inglês" MEIO-DE-DIVULGACAO="NAO_INFORMADO" HOME-PAGE-DO-TRABALHO="[https://biblioteca.sbrt.org.br/articles/4464]" FLAG-RELEVANCIA="NAO" DOI="10.14209/sbrt.2023.1570917697" TITULO-DO-TRABALHO-INGLES="" FLAG-DIVULGACAO-CIENTIFICA="NAO"></DADOS-BASICOS-DO-TRABALHO>

<DETALHAMENTO-DO-TRABALHO CLASSIFICACAO-DO-EVENTO="NACIONAL" NOME-DO-EVENTO="XLI Simpósio Brasileiro de Telecomunicações e Processamento de Sinais" CIDADE-DO-EVENTO="São Jose dos Campos" ANO-DE-REALIZACAO="2023" TITULO-DOS-ANAIS-OU-PROCEEDINGS="Anais do XLI Simpósio Brasileiro de Telecomunicações e Processamento de Sinais" VOLUME="" FASCICULO="" SERIE="" PAGINA-INICIAL="" PAGINA-FINAL="" ISBN="" NOME-DA-EDITORA="" CIDADE-DA-EDITORA="" NOME-DO-EVENTO-INGLES=""></DETALHAMENTO-DO-TRABALHO>

<PALAVRAS-CHAVE PALAVRA-CHAVE-1="Text-to-speech" PALAVRA-CHAVE-2="Brazilian Portuguese" PALAVRA-CHAVE-3="dataset speech" PALAVRA-CHAVE-4="" PALAVRA-CHAVE-5="" PALAVRA-CHAVE-6=""></PALAVRAS-CHAVE>

<AREAS-DO-CONHECIMENTO></AREAS-DO-CONHECIMENTO>

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<TRABALHO-EM-EVENTOS SEQUENCIA-PRODUCAO="4">

<DADOS-BASICOS-DO-TRABALHO NATUREZA="COMPLETO" TITULO-DO-TRABALHO="A Broadcast Film Leader with Audio Channel, Frequency, and Synchronism Test Properties" ANO-DO-TRABALHO="2016" PAIS-DO-EVENTO="Brasil" IDIOMA="Inglês" MEIO-DE-DIVULGACAO="MEIO_DIGITAL" HOME-PAGE-DO-TRABALHO="[https://www.aes.org/e-lib/browse.cfm?elib=18385]" FLAG-RELEVANCIA="SIM" DOI="" TITULO-DO-TRABALHO-INGLES="A Broadcast Film Leader with Audio Channel, Frequency, and Synchronism Test Properties" FLAG-DIVULGACAO-CIENTIFICA="NAO"></DADOS-BASICOS-DO-TRABALHO>

<DETALHAMENTO-DO-TRABALHO CLASSIFICACAO-DO-EVENTO="INTERNACIONAL" NOME-DO-EVENTO="AES 141st Convention" CIDADE-DO-EVENTO="Los Angeles - EUA" ANO-DE-REALIZACAO="2016" TITULO-DOS-ANAIS-OU-PROCEEDINGS="AES E-Library" VOLUME="" FASCICULO="" SERIE="" PAGINA-INICIAL="" PAGINA-FINAL="" ISBN="" NOME-DA-EDITORA="" CIDADE-DA-EDITORA="" NOME-DO-EVENTO-INGLES=""></DETALHAMENTO-DO-TRABALHO>

<PALAVRAS-CHAVE PALAVRA-CHAVE-1="Test pattern" PALAVRA-CHAVE-2="Film leader" PALAVRA-CHAVE-3="" PALAVRA-CHAVE-4="" PALAVRA-CHAVE-5="" PALAVRA-CHAVE-6=""></PALAVRAS-CHAVE>

<AREAS-DO-CONHECIMENTO></AREAS-DO-CONHECIMENTO>

<INFORMACOES-ADICIONAIS DESCRICAO-INFORMACOES-ADICIONAIS="Universal film leaders, commonly known as ?countdowns,? have been an important tool to synch audio and video. In a broadcast production, the material goes through several stages where audio and video are edited and processed, and time is a very precious resource. Also, it is important to minimize possible errors in the production chain. We propose a film leader format that, in a single 10 second clip, would be possible to do a preliminary check on aspects such as surround and stereo channel identification, relative channel level and frequency response, as well as synchronism. The proposed film leader has been tested and integrated in a Brazilian Television Network with very good results." DESCRICAO-INFORMACOES-ADICIONAIS-INGLES="Universal film leaders, commonly known as ?countdowns,? have been an important tool to synch audio and video. In a broadcast production, the material goes through several stages where audio and video are edited and processed, and time is a very precious resource. Also, it is important to minimize possible errors in the production chain. We propose a film leader format that, in a single 10 second clip, would be possible to do a preliminary check on aspects such as surround and stereo channel identification, relative channel level and frequency response, as well as synchronism. The proposed film leader has been tested and integrated in a Brazilian Television Network with very good results."></INFORMACOES-ADICIONAIS>

</TRABALHO-EM-EVENTOS>

<TRABALHO-EM-EVENTOS SEQUENCIA-PRODUCAO="5">

<DADOS-BASICOS-DO-TRABALHO NATUREZA="COMPLETO" TITULO-DO-TRABALHO="Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3-D or 2-D Image" ANO-DO-TRABALHO="2012" PAIS-DO-EVENTO="Estados Unidos" IDIOMA="Inglês" MEIO-DE-DIVULGACAO="MEIO_DIGITAL" HOME-PAGE-DO-TRABALHO="[https://www.aes.org/e-lib/browse.cfm?elib=16610]" FLAG-RELEVANCIA="NAO" DOI="" TITULO-DO-TRABALHO-INGLES="Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3-D or 2-D Image" FLAG-DIVULGACAO-CIENTIFICA="NAO"></DADOS-BASICOS-DO-TRABALHO>

<DETALHAMENTO-DO-TRABALHO CLASSIFICACAO-DO-EVENTO="INTERNACIONAL" NOME-DO-EVENTO="AES 133st Convention" CIDADE-DO-EVENTO="San Francisco" ANO-DE-REALIZACAO="2012" TITULO-DOS-ANAIS-OU-PROCEEDINGS="AES E-Library" VOLUME="" FASCICULO="" SERIE="" PAGINA-INICIAL="" PAGINA-FINAL="" ISBN="" NOME-DA-EDITORA="" CIDADE-DA-EDITORA="" NOME-DO-EVENTO-INGLES=""></DETALHAMENTO-DO-TRABALHO>

<PALAVRAS-CHAVE PALAVRA-CHAVE-1="Audio-visual" PALAVRA-CHAVE-2="Psicoacústica" PALAVRA-CHAVE-3="Interação entre sentidos" PALAVRA-CHAVE-4="" PALAVRA-CHAVE-5="" PALAVRA-CHAVE-6=""></PALAVRAS-CHAVE>

<AREAS-DO-CONHECIMENTO></AREAS-DO-CONHECIMENTO>

<INFORMACOES-ADICIONAIS DESCRICAO-INFORMACOES-ADICIONAIS="Possible differences in the perception of the sound caused by 3-D image are still unclear. The aim of this research is to understand a possible difference in the perception of distance caused by interaction of sound and 3-D image compared to a 2-D image and also how this could affect the suitability of the sound recording distance. Using a 3-D setup, a saxophone player was recorded at five different distances. The subjects where asked to judge their subjective distance and also the suitable sound for the presented image. The results show that one group perceived 3-D to be more distant, however it did not change the sound suitability compared 3-D to 2-D." DESCRICAO-INFORMACOES-ADICIONAIS-INGLES="Possible differences in the perception of the sound caused by 3-D image are still unclear. The aim of this research is to understand a possible difference in the perception of distance caused by interaction of sound and 3-D image compared to a 2-D image and also how this could affect the suitability of the sound recording distance. Using a 3-D setup, a saxophone player was recorded at five different distances. The subjects where asked to judge their subjective distance and also the suitable sound for the presented image. The results show that one group perceived 3-D to be more distant, however it did not change the sound suitability compared 3-D to 2-D."></INFORMACOES-ADICIONAIS>

</TRABALHO-EM-EVENTOS>

<TRABALHO-EM-EVENTOS SEQUENCIA-PRODUCAO="7">

<DADOS-BASICOS-DO-TRABALHO NATUREZA="COMPLETO" TITULO-DO-TRABALHO="Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video" ANO-DO-TRABALHO="2013" PAIS-DO-EVENTO="Estados Unidos" IDIOMA="Inglês" MEIO-DE-DIVULGACAO="MEIO_DIGITAL" HOME-PAGE-DO-TRABALHO="[https://www.aes.org/e-lib/browse.cfm?elib=16946]" FLAG-RELEVANCIA="NAO" DOI="" TITULO-DO-TRABALHO-INGLES="Subjective Comparison of Surround Microphone Recording Techniques Presented With and Without Video" FLAG-DIVULGACAO-CIENTIFICA="NAO"></DADOS-BASICOS-DO-TRABALHO>

<DETALHAMENTO-DO-TRABALHO CLASSIFICACAO-DO-EVENTO="INTERNACIONAL" NOME-DO-EVENTO="AES 135st Convention" CIDADE-DO-EVENTO="Nova Iorque" ANO-DE-REALIZACAO="2013" TITULO-DOS-ANAIS-OU-PROCEEDINGS="AES E-Library" VOLUME="" FASCICULO="" SERIE="" PAGINA-INICIAL="" PAGINA-FINAL="" ISBN="" NOME-DA-EDITORA="" CIDADE-DA-EDITORA="" NOME-DO-EVENTO-INGLES=""></DETALHAMENTO-DO-TRABALHO>

<PALAVRAS-CHAVE PALAVRA-CHAVE-1="Audio-visual" PALAVRA-CHAVE-2="Percepção" PALAVRA-CHAVE-3="Interação entre sentidos" PALAVRA-CHAVE-4="" PALAVRA-CHAVE-5="" PALAVRA-CHAVE-6=""></PALAVRAS-CHAVE>

<AREAS-DO-CONHECIMENTO></AREAS-DO-CONHECIMENTO>

<INFORMACOES-ADICIONAIS DESCRICAO-INFORMACOES-ADICIONAIS="The comparison of different setups of microphones for surround recordings of music is a topic that has a large interest in the audio community. Although it is known that image has a strong effect on sound perception, particularly in spatial aspects, very little research had been done aiming the surround sound recordings with accompanied video. To compare possible influences in this perception, a test was created using five different surround recording techniques that was done simultaneously at a Brazilian carnival parade. The subjects were presented to the sound with and without video and asked to rate four different aspects: localization, deepness, immersion, and preference. The results show that there is a difference in perception depending on the presence or absence of video." DESCRICAO-INFORMACOES-ADICIONAIS-INGLES="The comparison of different setups of microphones for surround recordings of music is a topic that has a large interest in the audio community. Although it is known that image has a strong effect on sound perception, particularly in spatial aspects, very little research had been done aiming the surround sound recordings with accompanied video. To compare possible influences in this perception, a test was created using five different surround recording techniques that was done simultaneously at a Brazilian carnival parade. The subjects were presented to the sound with and without video and asked to rate four different aspects: localization, deepness, immersion, and preference. The results show that there is a difference in perception depending on the presence or absence of video."></INFORMACOES-ADICIONAIS>

</TRABALHO-EM-EVENTOS>

<TRABALHO-EM-EVENTOS SEQUENCIA-PRODUCAO="8">

<DADOS-BASICOS-DO-TRABALHO NATUREZA="COMPLETO" TITULO-DO-TRABALHO="interactions between audio and 3d stereoscopic image in the perception of distance and suitable recording distance" ANO-DO-TRABALHO="2012" PAIS-DO-EVENTO="Brasil" IDIOMA="Inglês" MEIO-DE-DIVULGACAO="MEIO_DIGITAL" HOME-PAGE-DO-TRABALHO="[https://http://www.aesbrasil.org.br/wp-content/uploads/2018/anais/Anais_AESBR2012.pdf]" FLAG-RELEVANCIA="NAO" DOI="" TITULO-DO-TRABALHO-INGLES="interactions between audio and 3d stereoscopic image in the perception of distance and suitable recording distance" FLAG-DIVULGACAO-CIENTIFICA="NAO"></DADOS-BASICOS-DO-TRABALHO>

<DETALHAMENTO-DO-TRABALHO CLASSIFICACAO-DO-EVENTO="NACIONAL" NOME-DO-EVENTO="Congresso de Engenharia de Áudio, 10." CIDADE-DO-EVENTO="São Paulo" ANO-DE-REALIZACAO="2012" TITULO-DOS-ANAIS-OU-PROCEEDINGS="Anais do 10º Congresso de Engenharia de Áudio AES Brasil e 16ª Convenção Nacional AES Brasi" VOLUME="" FASCICULO="" SERIE="" PAGINA-INICIAL="121" PAGINA-FINAL="124" ISBN="2177-529X" NOME-DA-EDITORA="Sociedade de Engenharia de Áudio" CIDADE-DA-EDITORA="Rio de Janeiro" NOME-DO-EVENTO-INGLES=""></DETALHAMENTO-DO-TRABALHO>

<PALAVRAS-CHAVE PALAVRA-CHAVE-1="Audio-visual" PALAVRA-CHAVE-2="stereoscopic" PALAVRA-CHAVE-3="distance perception" PALAVRA-CHAVE-4="" PALAVRA-CHAVE-5="" PALAVRA-CHAVE-6=""></PALAVRAS-CHAVE>

<AREAS-DO-CONHECIMENTO></AREAS-DO-CONHECIMENTO>

<INFORMACOES-ADICIONAIS DESCRICAO-INFORMACOES-ADICIONAIS="In this paper, a primary study about the interaction between a three-dimensional stereoscopic (3D) image and sound in the perception of distance was made. The most suitable sound recording distance for 3D and 2D image was also investigated. One 2D and three 3D images with three different eye-convergence points were used for the visual stimuli and three different recording distances were used for the sound stimuli. The result shows that the 3D images presented a stronger sense of distance compared to 2D the image. However, influence caused by the sound recording distance had a stronger effect in this factor. Although there was a difference in the perception of distance between 2D and 3D, it did not have a significant effect on the suitability of the sound recording distance." DESCRICAO-INFORMACOES-ADICIONAIS-INGLES="In this paper, a primary study about the interaction between a three-dimensional stereoscopic (3D) image and sound in the perception of distance was made. The most suitable sound recording distance for 3D and 2D image was also investigated. One 2D and three 3D images with three different eye-convergence points were used for the visual stimuli and three different recording distances were used for the sound stimuli. The result shows that the 3D images presented a stronger sense of distance compared to 2D the image. However, influence caused by the sound recording distance had a stronger effect in this factor. Although there was a difference in the perception of distance between 2D and 3D, it did not have a significant effect on the suitability of the sound recording distance."></INFORMACOES-ADICIONAIS>

</TRABALHO-EM-EVENTOS>

<TRABALHO-EM-EVENTOS SEQUENCIA-PRODUCAO="6">

<DADOS-BASICOS-DO-TRABALHO NATUREZA="COMPLETO" TITULO-DO-TRABALHO="The Influence of Camera Focal Length in the Direct-To-Reverb Ratio Suitability and Its Effect in the Perception of Distance for a Motion Picture" ANO-DO-TRABALHO="2011" PAIS-DO-EVENTO="Estados Unidos" IDIOMA="Inglês" MEIO-DE-DIVULGACAO="MEIO_DIGITAL" HOME-PAGE-DO-TRABALHO="[https://www.aes.org/e-lib/browse.cfm?elib=16105]" FLAG-RELEVANCIA="SIM" DOI="" TITULO-DO-TRABALHO-INGLES="The Influence of Camera Focal Length in the Direct-To-Reverb Ratio Suitability and Its Effect in the Perception of Distance for a Motion Picture" FLAG-DIVULGACAO-CIENTIFICA="NAO"></DADOS-BASICOS-DO-TRABALHO>

<DETALHAMENTO-DO-TRABALHO CLASSIFICACAO-DO-EVENTO="INTERNACIONAL" NOME-DO-EVENTO="AES 131st Convention" CIDADE-DO-EVENTO="Nova Iorque" ANO-DE-REALIZACAO="2011" TITULO-DOS-ANAIS-OU-PROCEEDINGS="AES E-Library" VOLUME="" FASCICULO="" SERIE="" PAGINA-INICIAL="" PAGINA-FINAL="" ISBN="" NOME-DA-EDITORA="" CIDADE-DA-EDITORA="" NOME-DO-EVENTO-INGLES=""></DETALHAMENTO-DO-TRABALHO>

<PALAVRAS-CHAVE PALAVRA-CHAVE-1="Audio-visual" PALAVRA-CHAVE-2="Psicoacústica" PALAVRA-CHAVE-3="Percepção" PALAVRA-CHAVE-4="" PALAVRA-CHAVE-5="" PALAVRA-CHAVE-6=""></PALAVRAS-CHAVE>

<AREAS-DO-CONHECIMENTO></AREAS-DO-CONHECIMENTO>

<INFORMACOES-ADICIONAIS DESCRICAO-INFORMACOES-ADICIONAIS="In order to study the possible influence of a camera focal length in auditory distance perception, two experiments were conducted. In the first experiment, participants were asked to adjust the amount of reverb according to the presented visual image, which had different lenses focal lengths, and therefore different backgrounds. In the second experiment, participants were asked to rate the egocentric sense of distance to the sound source and the suitability of the sound for the visual image in a pairwise comparison. The results show that the overall sense of distance is mainly dependent on the focal length; however, if the image foreground object has the same size, the focal length can alter the perception of sound distance." DESCRICAO-INFORMACOES-ADICIONAIS-INGLES="In order to study the possible influence of a camera focal length in auditory distance perception, two experiments were conducted. In the first experiment, participants were asked to adjust the amount of reverb according to the presented visual image, which had different lenses focal lengths, and therefore different backgrounds. In the second experiment, participants were asked to rate the egocentric sense of distance to the sound source and the suitability of the sound for the visual image in a pairwise comparison. The results show that the overall sense of distance is mainly dependent on the focal length; however, if the image foreground object has the same size, the focal length can alter the perception of sound distance."></INFORMACOES-ADICIONAIS>

</TRABALHO-EM-EVENTOS>

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